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Trine Dyrholm and Ulrich Thomsen play a couple who decide to start their own group-living arrangement.ĭEVIL’S DOMAIN You’ve seen movies about Faustian bargains, but have you seen one about a girl (Madi Vodane) who makes a pact with the Devil (Linda Bella) to get revenge on her high school cyberbullies?ĭIARY OF A WIMPY KID: THE LONG HAUL The wimpy kid grew up, so Hollywood found a new one. Although this 1970s-set film isn’t a memoir, it draws on that experience. THE COMMUNE You wouldn’t know it from the high-society recriminations in his Dogma 95 landmark, “The Celebration,” but the Danish director Thomas Vinterberg was raised in a commune.
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Waterston, Billy Crudup, Amy Seimetz, Demián Bichir, Danny McBride and Carmen Ejogo are among the space colonists in for a rude surprise, with Michael Fassbender returning from “Prometheus” as an android (or two). (It was acquitted in 2015.) Although there’s a newsworthy hook - the film suggests that Abacus was a scapegoat for larger banks after the financial crisis - the movie is primarily an affectionate look at the Sung family, which runs the bank, and its resolve in the face of adversity.ĪFTERIMAGE The Polish director Andrzej Wajda, who died at 90 in October, grappled one last time with his country’s history in his final film, a portrait of the painter Wladyslaw Strzeminski (Boguslaw Linda), who pushed back against the postwar Communist regime’s mandates for art and sacrificed his career as a result.ĪLIEN: COVENANT Face huggers! Bloodthirsty anamorphic-melon-headed aliens! Katherine Waterston in a very strange hairdo! Ridley Scott again revisits the franchise that may be his most lasting legacy, with an entry set sometime after the events in “Prometheus” (2012) but before those in “Alien” (1979). We’ll soon find out whether Doug Liman, the director of “The Bourne Identity” and “Edge of Tomorrow,” is capable of drawing out suspense on a tighter scale.ĪBACUS: SMALL ENOUGH TO JAIL Steve James (“Hoop Dreams”) follows the legal travails of Abacus Federal Savings Bank, a pillar of the immigrant community in Chinatown, that was charged in 2012 with mortgage fraud. Taylor-Johnson maintains radio contact with the man who almost - almost - has him in his sights. THE WALL In Iraq, two American soldiers (Aaron Taylor-Johnson and John Cena) are trapped by an Iraqi sniper. URBAN HYMN Taking the riots that swept Britain in 2011 as a topical peg, this drama focuses on a troubled teenager (Letitia Wright) who is coaxed out of her shell by a social worker (Shirley Henderson) at her group home and encouraged to fulfill her talent for singing. TRACKTOWN In case you thought world-class athletes were insufficiently talented, Alexi Pappas, an American-born runner who represented Greece at the 2016 Olympics, wrote and stars in this story of a long-distance runner who falls for a boy at the bakery while she is sidelined with an injury. Trump’s former campaign chief Paul Manafort also appears in this documentary, which will be released in theaters and on Netflix simultaneously. GET ME ROGER STONE Never camera shy, the political operative Roger Stone, often credited as a pioneer in negative campaigning, recounts the story of his career and, in particular, his involvement in grooming Donald Trump as a candidate. Meredith Hagner, Michael Ian Black and Melanie Lynskey also star. May 12įOLK HERO & FUNNY GUY A flailing comedian (Alex Karpovsky) tries to regain his mojo by going on tour with an old friend, a folk-rock musician (Wyatt Russell).
The film was shown in installation form at the Park Avenue Armory in December and January before heading to Sundance. The words the characters recite are drawn from more than 50 manifestoes - most of them artistic declarations from the 20th century. MANIFESTO Those who can’t get enough of Cate Blanchett will find her here playing 13 roles. In the Pat Barker novel “Border Crossing,” on which it’s based, he rescues a young man from suicide, then learns that years earlier he had testified against him as an expert witness. THE DROWNING An independent filmmaker with an experimental streak, Bette Gordon (whose credits include “Variety,” the 1983 riff on “Vertigo”) directs this thriller centered on a forensic psychologist (Josh Charles).